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Gregory Crewdson

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Gregory Crewdson
Crewdson on location in Pittsfield, MA, 2007
Born (1962-09-26) September 26, 1962 (age 62)
Brooklyn, New York
EducationBrooklyn Friends; John Dewey High School; SUNY Purchase, BA, 1985; Yale University, MFA, 1988
Occupation(s)Fine-art photographer, professor
EmployerYale University School of Art
AwardsSkowhegan Medal for Photography, National Endowment for the Arts Visual Artists Fellowship
Websitewww.gagosian.com/artists/gregory-crewdson

Gregory Crewdson (born September 26, 1962) is an American photographer[1] who makes large-scale, cinematic, psychologically charged prints of staged scenes set in suburban landscapes and interiors. He directs a large production and lighting crew to construct his images.[2]

Early life and education

[edit]
Crewdson in 2007

Crewdson was born in the Park Slope neighborhood of Brooklyn, New York. As a child, he attended Brooklyn Friends School, and then John Dewey High School.

As a teenager, he was part of a power pop group called the Speedies.[3] Their song "Let Me Take Your Photo" was used in 2005 by Hewlett-Packard in advertisements to promote its digital cameras.[4]

Crewdson attended Purchase College, State University of New York, where he initially planned to study psychology.[5] At Purchase, he enrolled in a photography course taught by Laurie Simmons[6] and also studied with Jan Groover.[7] He received an MFA in photography from the Yale School of Art.[8]

Life and work

[edit]

Crewdson is a professor and the director of graduate studies in photography at Yale School of Art.[9]

Untitled photo from Crewdson's series Beneath the Roses (2003–2008)

Crewdson's photographs are elaborately planned, produced, and lit using crews familiar with motion picture production who light large scenes using cinema production equipment and techniques.[10] He works with a lighting team, art director, make-up and wardrobe department, props and effects to create mood, atmosphere, and open-ended narrative images.[11] He has worked with the same director of photography, Richard Sands, along with other core team members, for some 25 years.[12] He works much like a director with a budget similar to that of a movie production,[13] each image involves dozens of people and weeks to months of planning.[14]

Using shots that resemble film productions, Crewdson deconstructs American suburban life in his work.[15] He has cited the films Vertigo, The Night of the Hunter, Close Encounters of the Third Kind, Blue Velvet, and Safe as having influenced his style,[16] as well as the painter Edward Hopper[17] and photographer Diane Arbus.[18]

Crewdson's most widely-known bodies of work include Twilight (1998–2002), Beneath the Roses (2003–2008), Cathedral of the Pines (2013–2014), An Eclipse of Moths (2018–2019),[19] and Eveningside (2021–2022). Crewdson's only body of work made outside of the U.S. was Sanctuary (2009), set at the abandoned Cinecittá studios outside of Rome.[20] Nearly all of his other work before and since was made in the small towns and cities in Western Massachusetts.[21]

In 2012, he was the subject of the feature documentary film Gregory Crewdson: Brief Encounters.[22] The film series followed the construction of and an explanation by Crewdson of his thought process and vision for pieces of Beneath the Roses.

Personal life

[edit]

As of 2020, Crewdson lives primarily in western Massachusetts in a former Methodist church.[23] His long time partner, Juliane Hiam,[24] is a writer and producer[25][26] and the two work closely together.[27] Hiam has also appeared as a subject in numerous of Crewdson's pictures.[28][29] Crewdson has two children from a previous marriage.[30] Crewdson is an open-water swimmer[31] and has said that the meditative state he achieves with his daily swimming practice is fundamental to his creative process as an artist.[32]

Publications

[edit]
  • Hover. Artspace Books, 1995. ISBN 1891273000.
  • Twilight: Photographs by Gregory Crewdson. Harry N. Abrams, 2002. ISBN 0810910039. With an essay by Rick Moody.
  • Gregory Crewdson: 1985–2005. Hatje Cantz, 2005. ISBN 377571622X.
  • Fireflies. Skarstedt Fine Art, 2007. ISBN 0970909055.
  • Beneath the Roses. With Russell Banks. Harry N. Abrams, 2008. ISBN 978-0810993808.
  • Dream House. With text by Tilda Swinton. John Rule, 2009. ISBN 978-8888359410.
  • Sanctuary. With Anthony O. Scott. Hatje Cantz, 2010. ISBN 978-3775727341.
  • In a Lonely Place. Hatje Cantz, 2011. ISBN 978-3775731362.
  • Gregory Crewdson. New York: Rizzoli, 2013. ISBN 978-0847840915.
  • Cathedral of the Pines. New York: Aperture, 2016. ISBN 978-1-597113-50-2. With a text by Alexander Nemerov.
  • An Eclipse of Moths. New York: Aperture, 2020. ISBN 978-1683952213. With an introduction by Jeff Tweedy.
  • Alone Street. New York: Aperture, 2021. ISBN 978-1597115131. With an essay by Joyce Carol Oates and an interview with the artist by Cate Blanchett.
  • Gregory Crewdson: Eveningside, 2012–2022. Milan: Skira Editore, 2022. ISBN 8857248429. Text by Jean-Charles Vergne.
  • Gregory Crewdson. Munich, London, New York: Prestel, 2024. ISBN 9783791391243. Edited by Walter Moser, with texts by David Fincher, Daniela Hammer-Tugendhat, Beate Hofstadler, Astrid Mahler, Watler, Moser, Matthieu Orléan, and Emily St. John Mandel.

Solo exhibitions

[edit]
  • Gregory Crewdson: Retrospektive, The Albertina Museum, Vienna, Austria, May–September 2024[33]
  • Gregory Crewdson: Eveningside, Reflex Gallery, Amsterdam, Netherlands, Mar 11-May 6, 2023,[34] Alan Koppel Gallery, Chicago, April–August 2023,[35] Templon, Paris, France, Nov. 8-Dec. 23 2023[36]
  • Gregory Crewdson: Forest Fables, University of San Diego, San Diego, CA, September–October 2023[37]
  • Gregory Crewdson: Eveningside (a survey of work from 2012 to 2022), Gallerie d'Italia, Turin, Italy, October 2022 – January 2023,[38] exhibition traveled to the LUMA Foundation at Rencontres d'Arles, Arles, France, July–September 2023,[39] and VB Photography Center, Kuopio, Finland, June 12-Sept. 15 2024[40]
  • The Becket Pictures, FRAC Auvergne, Clermont-Ferrand, France, 2017[41]
  • Gregory Crewdson: Sanctuary, Galerie Wilma Tolksdorf, Frankfurt, Germany, April–July 2017[42]
  • Cathedral of the Pines, Galerie Templon, Brussels and Paris concurrently, September–October 2016;[43] The Photographers' Gallery, London, 2017;[44] Centre of Contemporary Art, Toruń, Poland, November 2017 – January 2018[45]
  • Gregory Crewdson: Dream House, The San Diego Museum of Art, San Diego, CA, 2015[46]
  • Gregory Crewdson: Sanctuary, TIFF '11 Festival, Toronto, Canada, 2011[47] La Fábrica Gallery, Madrid, Spain[48]
  • Gregory Crewdson: Fireflies, Wave Hill, Bronx, NY, 2014;[49] SITE Santa Fe, Santa Fe, NM, 2015;[50] Berkshire Botanical Garden, Leonhardt Galleries, Stockbridge, MA, 2021[51]
  • Gregory Crewdson: In a Lonely Place, traveling show, C/O Berlin, Berlin, 2011; Det Kongelige Bibliotek, Kulturhuset, Stockholm, Sweden, 2011;[52] Copenhagen, Denmark, 2011/2012;[53] Centre for Contemporary Photography, Melbourne, Australia, 2012;[54] Institute of Modern Art, Brisbane, Australia, 2013;[55] City Gallery Wellington; and Dunedin Art Gallery, Dunedin, New Zealand, 2013[56]
  • Gregory Crewdson: Fireflies, Skarstedt Fine Art, New York, NY, 2006[57]
  • Gregory Crewdson: 1985–2005, Kunstverein Hannover, Hanover, Germany;[58] and traveled to Kunstmuseen Krefeld, Germany, 2006;[59] Fotomuseum Winterthur, Switzerland; and Landsgalerie Linz, Austria, 2006[60]
  • Gregory Crewdson. House Taken Over, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, 1998; and traveled to Salamanca, 1999[61]

Group exhibitions

[edit]
  • Suburbia: Building the American Dream. Centre de Cultura Contemporània de Barcelona, Barcelona, Spain, 2024[62]
  • Contours du Réel, Topographie de l’art, Paris, France, 2023[63]
  • Le mauvais œil, FRAC Auvergne, Clermont-Ferrand, France, 2020[64]
  • THE VOID. Salon Berlin, Museum Frieder Burda, Berlin, Germany, 2019[65][66]
  • Fiction and Fabrication, MAAT Museum of Art, Architecture and Technology, Lisbon, Portugal, 2019[67]
  • A Journey That Wasn’t. The Broad, Los Angeles, CA, 2018[68]
  • House: Selections from the Collection of John and Sue Wieland. Mead Art Museum at Amherst College, Amherst, MA, 2018[69]
  • New Territory: Landscape Photography Today. Denver Art Museum, Denver, CO, 2018[70]
  • Making Home. Detroit Institute of Arts, Detroit, MI, 2018[71]
  • About Photography. Gagosian, San Francisco, CA, 2018[72]
  • Praying for Time. Rose Art Museum, Brandeis University, Waltham, MA, 2018[73]
  • Photography from the Permanent Collection. Tucson Museum of Art, Tucson, AZ, 2018[74]
  • Inside Out - Photography and Psychology. DZ Bank Kunstsammlung, Frankfurt am Main, Germany, 2018[75][76]
  • Reste l’air et le monde... Fonds régional d'art contemporain Auvergne, Clermont Ferrand, France, 2018[77][78]
  • Making Home: Contemporary Art from the DIA. Detroit Institute of Arts, Detroit, MI, 2018[79]
  • Directions in Photography. Orlando Museum of Art, Orland, FL, 2018[80]
  • Modes of Behavior Towards People When Affection Plays a Part. Klein Collection. Kunstmuseum, Stuttgart, Germany, 2017[81]
  • Watershed: Contemporary Landscape Photography. Jepson Center, Telfair Museums, Savannah, GA, 2016[82]
  • American Photographs, 1845 to Now. Amon Carter Museum of American Art, Fort Worth, TX, 2016[83]
  • Photography & Film Constructs. Willis Smith Gallery, Ringling College of Art and Design, Sarasota, FL, 2016[84]
  • Into the Night: Modern and Contemporary Art and the Nocturne Tradition. Tucson Museum of Art, Tucson, AZ, 2016[85]
  • Italia Inside Out. Palazzo della Ragione. Milan, Italy, 2015[86][87]
  • The Mannequin of History: Art After Fabrications of Critique and Culture. Expo 2015 Modena, Modena, Italy, 2015[88]
  • Pair(s). Maison Particuliere, Brussels, Belgium, 2015[89]Arts & Foods Pavilion, La Triennale di Milano, Milan, Italy, 2015[90]
  • River Crossings: Contemporary Art Comes Home. Thomas Cole National Historic Site, Catskill, NY,2015[91]
  • Open/Rhapsody: A Journey into Photography and Video Collections. Beirut Exhibition Center, Beirut, Lebanon, 2015[92]
  • Disturbing Innocence. The FLAG Art Foundation, New York, NY, 2014– 15[93]
  • FIERCE CREATIVITY. Pace Gallery, New York, NY, 2014[94][95]
  • Spaced Out: Migration to the Interior. Red Bull Studios, New York, NY, 2014[96]
  • The New York Times Magazine Photographs. Aperture, New York, NY, 2014[97]
  • Carte Blanche a Christian Lacroix. Musee Cognacq-Jay, Paris, France, 2014[98]
  • BAD THOUGHTS. Stedelijk Museum, Amsterdam, Netherlands, 2014[99]
  • Who Shall Deliver Us From the Greeks and Romans? Galeri Mana, Istanbul, Turkey, 2014[100]
  • American Darkness: Gregory Crewdson and O. Winston Link. Danziger Gallery, New York, NY, 2013[101]
  • At the Window: The Photographer’s View. The J. Paul Getty Museum, Los Angeles, CA, 2013[102]
  • Dark Blue: The Water as Protagonist. Haggerty Museum of Art, Marquette University, Milwuakee, WI, 2013[103]
  • COLOR! American Photography Transformed. Amon Carter Museum of American Art, Fort Worth, TX, 2013[104]
  • HEIMsuchung. Kunstmuseum Bonn, Bonn, Germany, 2013[105]
  • Mise-en-Scene. Samsung Museum of Art, Leeum, Seoul, South Korea, 2013[106]
  • CONCRETE-Photography and Architecture. Fotomuseum Winterthur, Antwerp. Belgium, 2013[107]
  • America in View: Landscape Photography 1865 to Now. Rhode Island School of Design, Museum of Art, Providence, RI, 2012– 13[108]
  • Power Flower. Galerie ABTArt, Stuttgart, Germany, 2012[109]
  • Room in My Head: Staging Psychological Spaces. Gutstein Gallery, The Savannah College of Art and Design, Savannah, GA, 2012[110]
  • Atget and Contemporary Photography. Leslie Feely Fine Art, New York, NY, 2011[111]
  • Duane Hanson/Gregory Crewdson: Uncanny Realities. Museum Frieder Burda, Baden-Baden, Germany, 2011[112]
  • Meet Me Inside. Gagosian Gallery, Beverly Hills, CA, 2010[113]
  • Bad Habits. Albright-Knox Art Gallery, Buffalo, NY, 2009[114]
  • Reality Check: Truth and Illusion in Contemporary Photography. The Metropolitan Museum of Art, New York, NY, 2008[115]
  • Untitled(Vicarious): Photographing the Constructed Object, Gagosian Gallery, New York, NY, 2008[116]
  • Into Me/Out of Me. P.S.1 Contemporary Art Center, Long Island City, NY. Traveled to: Kunst-Werke Institute for Contemporary Art, Berlin, Germany, 2006– 07[117]
  • Twilight: Photography in The Magic Hour. Victoria and Albert Museum, London, England, 2006[118]
  • The New City: Sub/Urbia in Recent Photography. Whitney Museum of American Art, New York, NY, 2005– 06[119]
  • Acting Out: Invented Melodrama in Contemporary Photography (organized by  Kathleen A. Edwards). University of Iowa Museum of Art, Iowa City, IA. Traveled to: The Neuberger Museum of Art, State University of New York, Purchase, NY, 2005[120]
  • Fotografía de los años 80 y 90 en la colección del MNCARS. Museo de Arte Abstracto Español, Cuenca, Spain, 2005[121]
  • Nunca supe si lo que me contabas era cierto o producto de tu fantasia. Galería Estrany–De La Mota, Barcelona, Spain, 2004– 05[122]
  • Picasso to Pop: A Growing Contemporary Collection. Phoenix Art Museum, Phoenix, AZ, 2004[123]
  • Fantastic. Massachusetts Museum of Contemporary Art, North Adams, MA, 2003– 04[124]
  • The Reality Effect: Contemporary American Photography. Guild Hall of East Hampton, East Hampton, NY, 2001[125]
  • Photochrome. Current Contemporary Photography from New York Galleries. Silvermine Guild Galleries, New Canaan, CT, 2001[126]
  • Bright Paradise. The First Auckland Triennial, University of Auckland Art Gallery, Auckland, New Zealand, 2001[127]
  • Settings and Players: Theatrical Ambiguity in American Photography (curated by Louise Neri and Vince Aletti). White Cube, London. Traveled to: The City Gallery of Prague, Prague, Czech Republic, 2001[128]
  • Larry Clark/Gregory Crewdson. Eleni Koroneou Gallery, Athens, Greece. Contemporary Group Show. Fifty One Fine Art Photography, Antwerp, Belgium. Gregory Crewdson, Vik Muniz, Hiroshi Sugimoto. Spark Inc., Tokyo, Japan, 2000[129]
  • The Swamp: On the Edge of Eden. Samuel P. Harn Museum, Gainsville, FL, 2000[130]
  • Alfred Hitchcock. Musee des beaux-arts de Montreal, Montreal, Canada, 2000[131]
  • Chorus of Light: Photographs from the Sir Elton John Collection. High Museum of Art, Atlanta, GA, 2000[132]
  • Photography Now (curated by S. Rubin). Contemporary Arts Center, New Orleans, LA, 2000[133]
  • Threshold: Invoking the Domestic in Contemporary Art. Contemporary Art Center of Virginia, Virginia Beach, VA, 2000[134][135]
  • Collector's Choice (curated by Ann Tenenbaum). Exit Art, New York, NY, 2000[136]
  • Post-Historical Narrative in Contemporary Photography. Rose Art Museum, Brandeis University, Waltham, MA, 2000[137]
  • Art at MoMA Since 1980. Museum of Modern Art, New York, NY, 2000[138]
  • Open Ends: Sets and Situations. Museum of Modern Art, New York, NY, 2000[139]
  • Beastie Boys Exhibition. Gavin Brown's Enterprise, New York, NY, 2000[74]
  • Before They Became Who They Are. Kravets/ Wehby Gallery, New York, NY, 2000[74]
  • Affinities with Architecture. Belk Gallery, Western Carolina University, Cullowhee, NC. Traveled to: Carroll Reece Museum, East Tennessee State University, Johnson,City, TN; Anderson Gallery School of the Arts, Virginia Commonwealth University, Richmond, VA, 1999[140]
  • Under/Exposed. Varldens Storsta Fotoutstallning, Stockholms Tunnelbana, Stockholm, 1999[141]
  • Nature is Not Romantic. The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, NY, 1999[142]
  • As Far as the Eye Can See. Atlanta College of Art Gallery/City Gallery at Chastain, Atlanta, GA, 1999[74]
  • Full Exposure: Contemporary Photography. New Jersey Center for Visual Arts, Summit, NJ, 1999[74]
  • Threshold: Invoking the Domestic in Contemporary Art. John Michael Kohler Arts Center, Sheboygan, WI, 1999[74]
  • Summer SurReality. Judy Ann Goldman Fine Art, Boston, MA, 1999[74]
  • Botanica: Contemporary Art and the World of Plants. Tweed Museum of Art, University of Minnesota, Duluth, MN. Traveled to: Plains Art Museum, Fargo, ND; University Galleries, Illinois State University, Normal, IL; Carleton College ArtGallery, Northfield, MN; Alexandria Museum of Art, Alexandria, LA; Tarble Arts Center, Eastern Illinois University, Charleston, IL; Chicago Cultural Center, Chicago; University Gallery, University of Delaware, Newark, DE, 1999[122]
  • WILDflowers. Katonah Museum of Art, Katonah, NY, 1999[143]
  • Animal Artifice. The Hudson River Museum, Yonkers, NY, 1999[144]
  • Mysterious Voyages. Contemporary Museum, Baltimore, MD, 1998[145]
  • The Sound of One Hand: The Collection of Collier Schorr. Apexart, New York, NY, 1998[146]
  • Pollution. Claudia Gian Ferrari Arte Contemporanea, Milan, Italy, 1998[147][148]
  • Exterminating Angel (curated by Joshua Decter). Galerie Ghislaine Hussenot, Paris, France, 1998[149]
  • Pop Surrealism (organized by Harry Philbrick). Aldrich Museum, Ridgefield, CT. Allegories of Site in Contemporary Art. Whitney Museum of American Art, New York, NY, 1998[150]
  • Spectacular Optical. Thread Waxing Space, New York, NY, 1998[151]
  • The New Surrealism. Pamela Auchincloss Project Space, New York, NY, 1998[80]
  • Making It Real (organized and circulated by Independent Curators International, New York, and curated by Vik Muniz). Traveled to The Aldrich Museum of Contemporary Art, Ridgefield, CT; Reykjavik Municipal Art Museum, Reykjavik, Iceland; Portland Museum of Art, ME; Bayly Art Museum, University of Virginia, Charlottesville, VA; Bakalar Gallery, Massachusetts College of Art, Boston, MA; Emerson Gallery, Hamilton College, Clinton, NY, 1997– 99[152]
  • Veronica's Revenge. Stedelijk Museum, Sittard, The Netherlands, 1997[89]
  • Gothic, ICA, Boston, MA, 1997[153]
  • American Art Today: The Garden. The Art Museum at Florida International University, Miami, FL, 1997[154]
  • The Set Up. Barbara Farber Galerie, Amsterdam. ‘97 Gwangju Biennale, Gwangju, South Korea, 1997[155]
  • Surrealism. Wexner Center for the Visual Arts, Columbus, OH, 1997[156]
  • Pictures This: Photographs from Former and Current Faculty and Staff of the Cooper Union School of Art. Cooper Union Foundation Building, New York, NY, 1997[157]
  • De fleurs en mai. Oeuvres de la collection du Frac des Pays de la Loire. Maison Billaud, Fontenay-le-Comte, Pays de la Loire, France, 1997[122]
  • To Be Real. Yerba Buena Center for the Arts, San Francisco, CA, 1997[122]
  • A Thin Line. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 1997[122]
  • Everything that's Interesting is New (organized by the DESTE Foundation). The Dakis Joannou Collection, Athens School of Fine Arts “the factory,” Athens, Greece, 1996[158]
  • Show and Tell. Lauren Wittels Gallery, New York, NY, 1996[159]
  • Shot: Una Visione Americana (curated by Christiana Perrella, Valentina Moncada) Valentina Moncada Gallery, Rome, Italy, 1996[160]
  • What I Did on My Summer Vacation. White Columns, New York, NY, 1996[161]
  • Prospect 96, Frankfurter Kunstverein, Frankfurt, Germany, 1996[162]
  • Nature/Culture and the Postmodern Sublime, Bard Center for Curatorial Studies, Annandale-on-Hudson, NY, 1996[163]
  • Perfect World. University at Buffalo Art Gallery, Buffalo, NY. Exposure. Luhring Augustine, New York, NY, 1996[89]
  • Digital Gardens. The Power Plant, Toronto, Canada, 1996[164]
  • The Set-Up. Baumgartner Galleries, Washington D.C, 1995[74]
  • Blind Spot. The MAC, Dallas Artists Research and Exhibition, Dallas, TX, 1995[74]
  • Yamantaka Donation: An Exhibition of Photographs to Benefit Tibet House (curated by Diego Cortez). Robert Miller Gallery, New York, NY, 1995[126]
  • Brave New World. Christopher Grimes Gallery, Santa Monica, CA, 1995[165][166]
  • Nature Studies: Gregory Crewdson, Adam Fuss, Hiroshi Sugimoto. Johnson County Community College, Overland Park, KS, 1995[167]
  • La Belle et La Bête. Musee d'Art Moderne de la Ville de Paris, Paris, France, 1995[168]
  • Confronting Nature, Silenced Voices. California State University, Fullerton, CA, 1995[169]
  • On the Face of it. Fotofinis exhibition, City Art Centre, Edinburgh, Scotland, 1995[80]
  • Nature Studies. University of Massachusetts at Amherst Fine Arts Center, Amherst, MA, 1995[170]
  • Duchamp's Leg. Walker Art Center, Minneapolis, MN, 1995[171]
  • Faculty Work on Paper. Yale School of Art, New Haven, CT, 1995[172]
  • Photography at Berkeley Square. The City Bank Private Bank Collection, London, England, 1995[74]
  • Animal Farm. Corcoran Gallery, Santa Monica, CA, 1994[89]
  • A Garden. Barbara Krakow Gallery, Boston, MA, 1994[173]
  • Recent Photography Acquisitions: Selections from the Permanent Collection. Whitney Museum of American Art, New York, NY, 1993[80]
  • Home Sweet Home and Other Fables. St. Louis Art Museum, St. Louis, MO, 1993[137]
  • Close Encounters. Ikon Gallery, Birmingham, AL. Visual Arts Gallery, SUNY Purchase, Purchase, NY. Feigen Gallery, Chicago, IL. Elizabeth Koury, New York, NY, 1993[174]
  • Daydream Nation. Luhring Augustine, New York, NY, 1993[175]
  • Picturing Ritual. The Center for Photography, Woodstock; Neuberger Museum, SUNY Purchase, NY, 1993[176]
  • Pleasures and Terrors in Domestic Comfort. Museum of Modern Art, New York, NY, 1991[177]

Awards

[edit]
  • Aaron Siskind Foundation Individual Photographer's Fellowship[178]
  • Skowhegan Medal for Photography, Skowhegan School of Painting and Sculpture, Skowhegan, ME.[179]
  • Skowhegan Medal for Photography[180]
  • National Endowment for the Arts fellowship[181]
  • Honorary Doctorate, Montserrat College of Art, Beverly, MA.[182]
  • Honorary Doctorate, SUNY Purchase, NY.[183]
  • Distinguished Artist Award, St. Botolph Club Foundation, Boston, MA.[184]

Collections

[edit]

Crewdson's work is held in the permanent collections of major institutions worldwide, including:

Films about Crewdson

[edit]

References

[edit]
  1. ^ O'Hagan, Sean (June 20, 2017). "Cue mist! Gregory Crewdson, the photographer with a cast, a crew and a movie-sized budget". The Guardian. London. Retrieved June 30, 2017.
  2. ^ Larocca, Amy (March 27, 2008). "Loneliness and Multitudes".
  3. ^ Sommer, Tim (August 3, 2002). "In the Late '70s, Teen Punks Ruled New York. These Are Their Stories". The New York Times.
  4. ^ Yablonsky, Linda (September 11, 2005). "A Photographer's Pop Star Moment". The New York Times.
  5. ^ Weingart, Ken (May 18, 2016). "An Interview with Gregory Crewdson".
  6. ^ Abrams, Amah-Rose (April 15, 2016). "Beautiful Intimacy and Isolation with Gregory Crewdson". Artnet News. Retrieved January 13, 2023.
  7. ^ Kennedy, Randy (January 12, 2012). "Jan Groover, Postmodern Photographer, Dies at 68". The New York Times.
  8. ^ Gregory Crewdson Biography. Rogallery.com. Retrieved November 17, 2011.
  9. ^ Yale University School of Art: Gregory Crewdson. Art.yale.edu. Retrieved November 17, 2011.
  10. ^ "Gregory Crewdson". V&A. Archived from the original on April 16, 2010. Retrieved March 19, 2011.
  11. ^ Fletcher, Kenneth (June 2008). "regory Crewdson's Epic Effects".
  12. ^ "Rick Sands: Breaking the Light Barrier".
  13. ^ "Cue mist! Gregory Crewdson, the photographer with a cast, a crew and a movie-sized budget". The Guardian. June 20, 2017.
  14. ^ "Gregory Crewdson's Epic Effects". Smithsonian Magazine.
  15. ^ Smith, Ian Haydn (2018). The short story of photography : a pocket guide to key genres, works, themes & techniques. London. ISBN 978-1-78627-201-0. OCLC 1002114117.{{cite book}}: CS1 maint: location missing publisher (link)
  16. ^ "Five in Focus: Gregory Crewdson's Five Favorite Films". Focus Features. Archived from the original on April 18, 2011. Retrieved March 19, 2011.
  17. ^ Gregory, Crewdson. "Aesthetics of Alienation". Tate Etc. Archived from the original on June 8, 2011. Retrieved March 19, 2011.
  18. ^ "Gregory Crewdson". White Cube. Archived from the original on May 9, 2008. Retrieved March 19, 2011.
  19. ^ "Photographer Gregory Crewdson and his eerie rooms of gloom". The Guardian. October 9, 2016.
  20. ^ "Gregory Crewdson: Sanctuary The Epic Photographer Shoots Rome's Fabled Film Studio Cinecittà". Nowness.
  21. ^ Schwiegershausen, Erica (July 19, 2016). "How Gregory Crewdson Spends His Summer". The New York Times.
  22. ^ Catsoulis, Jeannette (October 30, 2012). "Captured by a Camera, a Poetry of Lost and Missed Connections". The New York Times. ISSN 0362-4331. Retrieved October 5, 2023.
  23. ^ Lubow, Arthur (August 20, 2020). "For Gregory Crewdson, Truth Lurks in the Landscape". The New York Times.
  24. ^ Schwiegershausen, Erica (July 19, 2016). "How Gregory Crewdson Spends His Summer". The New York Times.
  25. ^ Kroll, Justin (October 26, 2017). "Scarlett Johansson in Talks to Star in Focus Drama 'Reflective Light'".
  26. ^ Tizard, Will (November 14, 2017). "David Lynch 'Changed My Life,' Says Photographer Gregory Crewdson".
  27. ^ "Submerged and Interior: An Interview with Gregory Crewdson". October 24, 2016.
  28. ^ Stanley, Roderick (August 15, 2017). "How Gregory Crewdson captured the dark heart of America, with a little help from his friends".
  29. ^ Booth, Hannah (August 4, 2017). "Juliane Hiam remembers posing for Gregory Crewdson's Cathedral Of The Pines, 2013". TheGuardian.com.
  30. ^ Mechling, Lauren (October 28, 2022). "Inside a Brooklyn Apartment Where the Walls Talk". Town and Country.
  31. ^ "Notes on Swimming: Route and Repetition".
  32. ^ Rosenberg, David (February 5, 2016). "For Photographers, Living Life Is a Constant State of Preproduction".
  33. ^ "Gregory Crewdson: Retrospektive".
  34. ^ "Gregory Crewdson: Eveningside".
  35. ^ "Gregory Crewdson: Eveningside".
  36. ^ "Gregory Crewdson: Eveningside".
  37. ^ "Gregory Crewdson: Forest Fables".
  38. ^ "Gregory Crewdson. Eveningside | Gallerie d'Italia Torino".
  39. ^ "Gregory Crewdson at Les Rencontres d'Arles".
  40. ^ "Gregory Crewdson: Eveningside".
  41. ^ "Gregory Crewdson : Interview with FRAC Auvergne".
  42. ^ "Gregory Crewdson: Sanctuary".
  43. ^ "Gregory Crewdson 'Cathedral of the Pines'".
  44. ^ "Gregory Crewdson: Cathedral of the Pines". The Photographers' Gallery.
  45. ^ "Exhibition Of Gregory Crewdson Photography".
  46. ^ "Gregory Crewdson: Dream House".
  47. ^ "Five Exhibits to See at TIFF Future Projections".
  48. ^ "Gregory Crewdson: Sanctuary: The Epic Photographer Shoots Rome's Fabled Film Studio Cinecittà".
  49. ^ "Chasing Fires in the Dark". The New York Times.
  50. ^ "Gregory Crewdson: Fireflies".
  51. ^ "Fireflies: The Photographs of Gregory Crewdson".
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